Mr. Eames (
seeorseem) wrote in
all_inclusive2014-05-08 08:05 pm
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It's a very subtle art
The fact of the matter, thinks Eames, is that reality should not be this malleable.
If he were asleep and attached to his PASIV, waking up to find himself in this form would be normal -- expected, even, given his tendency to pick up jobs that challenge him and there's something perfect about making a beautiful woman and assigning her minor flaws in order to keep the dreamer from suspecting that something is amiss. The problem is that he's not in a dream. His totem tells him that this is reality, which is making his head hurt.
It's been two days and Eames still can't shake this forge. He's hesitant to even call it that, but for the sake of his sanity, he's needed to retain that distinction in his mind, lest he go absolutely around the bend. He can't be what he is, and yet, he is. It's not the sort of thing he's come to expect to understand and he can't even find Arthur to search for an explanation.
The good news is that Eames has always been rather fluid when it comes to living in another person's skin. He might be forging in reality, but he will do it perfectly. He knows how to walk as a woman, how to wear the clothes, how to sit, and how to speak. It's one comfort in all this madness because at least he feels at home in his own skin.
If he still is himself. Eames raises slim fingers to the bartender, signalling for another scotch on the rocks being that drinking does tend to numb the worrisome notion that he's slipped so far into a dream that he doesn't know what's real anymore.
"You know," he remarks off-handedly to the companion at his side, "I had thought that I wouldn't have to pay so often for my own drinks. My expectations must be re-evaluated."
If he were asleep and attached to his PASIV, waking up to find himself in this form would be normal -- expected, even, given his tendency to pick up jobs that challenge him and there's something perfect about making a beautiful woman and assigning her minor flaws in order to keep the dreamer from suspecting that something is amiss. The problem is that he's not in a dream. His totem tells him that this is reality, which is making his head hurt.
It's been two days and Eames still can't shake this forge. He's hesitant to even call it that, but for the sake of his sanity, he's needed to retain that distinction in his mind, lest he go absolutely around the bend. He can't be what he is, and yet, he is. It's not the sort of thing he's come to expect to understand and he can't even find Arthur to search for an explanation.
The good news is that Eames has always been rather fluid when it comes to living in another person's skin. He might be forging in reality, but he will do it perfectly. He knows how to walk as a woman, how to wear the clothes, how to sit, and how to speak. It's one comfort in all this madness because at least he feels at home in his own skin.
If he still is himself. Eames raises slim fingers to the bartender, signalling for another scotch on the rocks being that drinking does tend to numb the worrisome notion that he's slipped so far into a dream that he doesn't know what's real anymore.
"You know," he remarks off-handedly to the companion at his side, "I had thought that I wouldn't have to pay so often for my own drinks. My expectations must be re-evaluated."
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There are ways, strangely, in which Eames' presence has helped ease Arthur's tensions between the real and the impossible, making it easier for him to accept the nature of this place. However, that's all quite easy to say when he's still occupying his own body.
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"Oh by all means. I suppose I could be persuaded to buy you something."
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He's always been fearful of losing himself in the forge. It's always been there, a pressing concern that could happen anytime.
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"If it's of any reassurance to you, this is real."
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