Jay Gatsby (
likepalegold) wrote in
all_inclusive2014-04-07 09:35 pm
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because of the colossal vitality of his illusion
There's a strange sort of energy behind him, at Gatsby's back as if heralding his exit from one world into the next. It's as if he stepped over the threshold and found himself in a new world, only he doesn't quite recall how he got here, only that he's clasping a wand in his hand, wearing a fine suit (the finest that money can buy, old sport, the very finest of them all) and his tie bears the distinguished hint of his alma mater.
Supposing he can call it that. It's hardly as if he can call Hogwarts his alma mater when, really, after the war, he'd been invited to study there, being so far from home and possessing the right blood for it, but not the right age. Still, war had displaced them and made immigrants of them all and so Gatsby feels safe calling himself a man of Hogwarts.
And what better place than Hogwarts in the 1920's, resplendent with its fineries, looking every bit the dazzling wonder that he remembers.
(Does he? Does he remember this? Surely this can't be, surely there is another world and another war and another life, but Gatsby has told himself a grand story since his earliest childhood days and despite twists and turns, they have a tendency to stick)
He shakes the self-doubt as he strides forward, towards that gleaming past. "Alohomora," he speaks the incantation, striding through the open door and into the grand hall, decorated with the finest ornamentation of the times. Perhaps Gatsby will stay a while, this time, and turn this visit into something else.
Yes, perhaps he'll start again. Perhaps this is the next chapter in his story.
Supposing he can call it that. It's hardly as if he can call Hogwarts his alma mater when, really, after the war, he'd been invited to study there, being so far from home and possessing the right blood for it, but not the right age. Still, war had displaced them and made immigrants of them all and so Gatsby feels safe calling himself a man of Hogwarts.
And what better place than Hogwarts in the 1920's, resplendent with its fineries, looking every bit the dazzling wonder that he remembers.
(Does he? Does he remember this? Surely this can't be, surely there is another world and another war and another life, but Gatsby has told himself a grand story since his earliest childhood days and despite twists and turns, they have a tendency to stick)
He shakes the self-doubt as he strides forward, towards that gleaming past. "Alohomora," he speaks the incantation, striding through the open door and into the grand hall, decorated with the finest ornamentation of the times. Perhaps Gatsby will stay a while, this time, and turn this visit into something else.
Yes, perhaps he'll start again. Perhaps this is the next chapter in his story.
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But something about this one beckoned to her. Like she could sense her homeland through that door, though it was not her clan's keep or even the right time. The wool blazer and skirt and robes were certainly not her own clothes (though she found the red and gold badge to quite her quite well), the wand in her hand wasn't truly familiar, and the spells that filled her head were not something she knew before. But the highland princess was, in a way, more home than she had been in over a year.
Merida stepped into the grand hall and was reminded briefly of her own father's throne room when set for feasting, until she looked up. Candles and crystal baubles floated above and the stars decorated the ceiling with was was clearly an enchantment that took her breath away. This had her in awe more than her first sighting of a wisp, even.
It seemed as if it was either too late or too early for any students to be around for supper, or that there was some event that would have them out of this room. But a single man in a fine suit stood ahead of her.
"Hullo?" she called out curiously.
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"I'm afraid I'm not quite an alumni," he says. "If you couldn't tell by my accent, I'm a foreigner, but I possess the deepest of respects for your country and its sweeping cliffs," he says. "And my manners have escaped me. I'm Gatsby. How do you do?"
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"I'm not even sure how I put on these clothes. But the door was open, and I couldn't resist."
She walked to the side of the room, touching the stone walls and looking up at the beams.
"This is quite grand. I think built after my days. It seems taller than my clan's... But you've lived here?"
no subject
"Yes," he says, but then a moment later, he says, "No," just as certainly. After all, there's a whole head of memories that speak to Hogwarts and the magical memories he'd earned from only one semester here when the war had been through and Gatsby, himself, only barely more than a boy, had discovered the education across the pond. And yet, there's something else in the back of his mind that tells of a different school in a different place.
"You see, it's the strangest thing," he says to the girl. "I can list you a formative set of experiences that I've had in this place, in this castle, and yet, I also know another life, but it takes a bit of scratching to wipe away the residue that's settled over it, like a scabbing wound."
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"I can remember all of my life, though. Perhaps it's because I would technically be older than all this? I'm not sure. But it really is beautiful, isn't it?"
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"Merida. Of Clan DunBroch," she says as she takes the gentleman's proffered arm. "I'm not uncomfortable per se. It's just... odd. I seem to be experiencing things in the reverse of what you are. I know I'm not of this place, but the spells and details of this world feel like their things I'm familiar with anyhow. Like I can sense another me that never really shot a bow, but did charms that create arrows that fire on their own instead."
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It's odd, to say the least, and perhaps Gatsby ought to be more concerned with this dissonance, but it's hardly the first time he's lived with two different lives in his head (one rich and sumptuous, one dirty and worn). Still, she does have a point and perhaps that bears a sort of investigation. "To whom do you think we should alert about our little problem?" he asks, given that she's right in that it's a strange thing. "There has to be some sort of authority, doesn't there?"
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"Door... Dumbledore! The transfiguration professor. He might be willing to hear us out."
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While Gatsby had attended, though, it hadn't been that man. It'd been someone else, but as he strains to recall it, it doesn't come to him. "I'm afraid I never had dealings with the man, but I was only here for the brief time of a single semester," he confesses. "Perhaps he'll be open to listening and to giving an opinion on the matter."
"Though," he does say, trying to entice with his tone, "perhaps a butter beer before we make our march?"