71st_victor (
71st_victor) wrote in
all_inclusive2014-02-03 07:48 pm
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
(no subject)
It had taken her a long time to find it, but once she has it in her possession, they'll have to pry it from her cold dead hands to get her to give up the small, but functional axe she'd found on the grounds in a shed. It's probably the remnant of some old gardener, but in her hands, it could be the difference between life and death.
She wishes there were tall trees around, the kind of soaring redwoods that adorned Seven. She'd learned to wield the sharp edge of her blade on thick trees standing hundreds of times the size of her. Meek, weak, and a little mousy, Johanna had learned that everything can fall if you apply enough pressure and cut them down at the right angle. Everyone falls and everyone bleeds.
Johanna hefts up the axe and makes her way outside, careful not to appear too overtly threatening. There are strangers roaming here and she needs to maintain the facade in case she has to play them. The axe has to be hidden where she can find it and she needs to seem like the little girl who frightfully entered the Hunger Games. She makes her way to the English Gardens, settling cross-legged on the ground as she starts to dig a hole in the ground. It's nowhere near six feet deep, but it makes her think of the grave she'd basically dug for herself by joining the rebellion.
Once she gets three feet down, she gets the axe in there, covering it up quickly and dragging over several blue bell flowers to mark the spot in a circle. She wipes the sweat from her face, smearing her cheeks with dirt like a hasty camouflage.
She's going to keep protecting herself, no matter the cost.
Johanna catches movement in the corner of her eye and she softens her posture and her expression, careful not to look too aggressive. She draws her hand over the soil and keeps the shadow in her peripheral vision, always wary. "Did you come to look at the flowers?" she asks quietly, head down, eyes averted.
Meek, weak, and murderous if given the chance.
She wishes there were tall trees around, the kind of soaring redwoods that adorned Seven. She'd learned to wield the sharp edge of her blade on thick trees standing hundreds of times the size of her. Meek, weak, and a little mousy, Johanna had learned that everything can fall if you apply enough pressure and cut them down at the right angle. Everyone falls and everyone bleeds.
Johanna hefts up the axe and makes her way outside, careful not to appear too overtly threatening. There are strangers roaming here and she needs to maintain the facade in case she has to play them. The axe has to be hidden where she can find it and she needs to seem like the little girl who frightfully entered the Hunger Games. She makes her way to the English Gardens, settling cross-legged on the ground as she starts to dig a hole in the ground. It's nowhere near six feet deep, but it makes her think of the grave she'd basically dug for herself by joining the rebellion.
Once she gets three feet down, she gets the axe in there, covering it up quickly and dragging over several blue bell flowers to mark the spot in a circle. She wipes the sweat from her face, smearing her cheeks with dirt like a hasty camouflage.
She's going to keep protecting herself, no matter the cost.
Johanna catches movement in the corner of her eye and she softens her posture and her expression, careful not to look too aggressive. She draws her hand over the soil and keeps the shadow in her peripheral vision, always wary. "Did you come to look at the flowers?" she asks quietly, head down, eyes averted.
Meek, weak, and murderous if given the chance.
no subject
Johanna settles back, wrapping her arms around her knees as she considers the other woman and why she might know Finnick. "I do, yes," she replies, cautious, slow, and careful in her admittance. "Why?"
no subject
no subject
"Oh," Johanna says, deflating when she realizes that this isn't actually one of Finnick's secret-producing sources. There's a bit of disappointment, too, because she'd like to know more secrets about this place. Though, now that Annie is here (if the rumors are true), she thinks those days might be done. "And what sort of thing was that? There's plenty where we come from that could turn a stomach."
no subject
no subject
Johanna gives a quiet snort, rolling up the sleeve of her shirt to show the new woman the lovely scarred pock mark where her own tracker had been until she had cut it out. "Finnick told me he was doing something with them, but I didn't ask for details. Mine's sitting in a cupboard, collecting dust." Mainly because she hasn't decided what to do with it, but given the in and out nature of this place, part of her wants to put it in someone else's pocket and let the Capitol try and track them through a few universes.
no subject
"I don't know if it'll make you feel better, but there's no signal coming from the one Finnick gave me. Nothing I can find, anyway. Just a very low level of power, like a latent battery. I'm monitoring it, but apart from that, there isn't much I can do with it unless it does something first. Be helpful if there was an input/output port anywhere on it, but so far, zip."
no subject
no subject
no subject
no subject
no subject
no subject
no subject
no subject
She still wasn't sure what the arena was, but she also wasn't going to... "Wait. There's a door that leads to this arena? You said he could have taken me there?"
no subject
"If he could've found it," Johanna admits. "It's not like I'm trying. I doubt he is, either."
no subject
She got a definite sense the woman didn't want to talk about whatever the arena was and, from long experience with Oliver, she knew when to back off. "I should probably introduce myself, though. Manners and everything. I"m Felicity Smoak."
no subject
"Johanna Mason," she introduces herself, wondering if her name had come up. "So where do you come from?"
no subject
no subject
no subject
no subject
no subject
no subject