Cinna (
designerebel) wrote in
all_inclusive2016-07-06 10:49 am
![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
Entry tags:
open § everything i'm not made me everything i am
[ OPTION ONE ]
Ask and you shall receive. It's been months ago that Cinna has requested an area to work in. The hotel has given him a space on the first floor near the cafe. Supplies have been gathered and the space redone to accommodate Cinna and his craft. That's right, there's officially a clothier's shop in the hotel. Cinna is indeed in his element.
Upon first entry to the shop it looks very unassuming and casual. There's the mixed aroma of freshly brewed tea and coffee as well as some pastries brought over from the cafe. The front half of the shop holds everyday clothes that seem to be the norm of what most of the people in the hotel wear, things like tees and sweaters and jeans and shorts. In the middle of the shop there's a round dark mahogany table with three high-backed plush armchairs around it. The armchairs are cushioned black with golden embellishments. Toward the back is where Cinna's influence shows through more prominently; clothing, both everyday and formal with unique and futuristic flares and touches. It's Couture at its finest. There are tall, large mirrors in the back as well as dressing rooms.
It should also be noted that as he has befriended both Milady and Aramis, there is attire befitting both men and women from their time period in Paris. Beautiful gowns and carefully stitched shirtsleeves and doublets. Cinna is always accommodating and will take special orders all day every day.
Outside of the space is a bracket with a swinging sign placard bearing the shop's name in an elegant golden script: Design by Cinna.
Cinna can almost always be found at the mahogany table in the center of the shop, sitting in one of the chairs with material draped over his lap and needle and thread in hand. He'll welcome anyone to his new shop. Please feel free to stop by!
[ OPTION TWO ]
Oftentimes Cinna can be found in the conservatory, sitting among the plant life and sketching new designs. It's peaceful in there. He'll greet and chit chat with most anyone who happens upon him.
However, one day he opens a door that he thinks goes to his hotel room but finds himself in the outdoors instead. The environment is boisterous and loud, crowds walking through fairways and strange music in the air. The sky is blue overhead, with the occasional cloud here and there. There are shops and tents and big contraptions with some kind of transport on them that has people screaming as they zip over rails.
Cinna, coming from Panem, has never seen anything like it. A man comes by and offers him a stick with a ball of pink cotton on top of it. What is it? He sees someone else with something similar eating the cotton. So he pinches some off and puts it in his mouth. The sugary sweetness surprisingly melts in his mouth.
Certainly, a place such as this can't be anything bad, right? Cinna is off to explore the amusement park.
Ask and you shall receive. It's been months ago that Cinna has requested an area to work in. The hotel has given him a space on the first floor near the cafe. Supplies have been gathered and the space redone to accommodate Cinna and his craft. That's right, there's officially a clothier's shop in the hotel. Cinna is indeed in his element.
Upon first entry to the shop it looks very unassuming and casual. There's the mixed aroma of freshly brewed tea and coffee as well as some pastries brought over from the cafe. The front half of the shop holds everyday clothes that seem to be the norm of what most of the people in the hotel wear, things like tees and sweaters and jeans and shorts. In the middle of the shop there's a round dark mahogany table with three high-backed plush armchairs around it. The armchairs are cushioned black with golden embellishments. Toward the back is where Cinna's influence shows through more prominently; clothing, both everyday and formal with unique and futuristic flares and touches. It's Couture at its finest. There are tall, large mirrors in the back as well as dressing rooms.
It should also be noted that as he has befriended both Milady and Aramis, there is attire befitting both men and women from their time period in Paris. Beautiful gowns and carefully stitched shirtsleeves and doublets. Cinna is always accommodating and will take special orders all day every day.
Outside of the space is a bracket with a swinging sign placard bearing the shop's name in an elegant golden script: Design by Cinna.
Cinna can almost always be found at the mahogany table in the center of the shop, sitting in one of the chairs with material draped over his lap and needle and thread in hand. He'll welcome anyone to his new shop. Please feel free to stop by!
[ OPTION TWO ]
Oftentimes Cinna can be found in the conservatory, sitting among the plant life and sketching new designs. It's peaceful in there. He'll greet and chit chat with most anyone who happens upon him.
However, one day he opens a door that he thinks goes to his hotel room but finds himself in the outdoors instead. The environment is boisterous and loud, crowds walking through fairways and strange music in the air. The sky is blue overhead, with the occasional cloud here and there. There are shops and tents and big contraptions with some kind of transport on them that has people screaming as they zip over rails.
Cinna, coming from Panem, has never seen anything like it. A man comes by and offers him a stick with a ball of pink cotton on top of it. What is it? He sees someone else with something similar eating the cotton. So he pinches some off and puts it in his mouth. The sugary sweetness surprisingly melts in his mouth.
Certainly, a place such as this can't be anything bad, right? Cinna is off to explore the amusement park.
Option One
Re: Option One
Once she seems to linger toward the back of the shop for a time, Cinna stands and sets his things on the table and on his seat. He walks over to her, a small, soft smile playing on his lips. "Hello. Chiana, right? It's good to see you again."
no subject
no subject
"My apologies, I didn't mean to startle you." He says with a contrite nod.
"Yes, well... patience and hard work pay off, especially when you're passionate about something." He looks around the shop once more, taking in the newness of it. He's most pleased about it. And it is his passion. "I'm thankful to have it. It helps to keep my hands busy. I trust you've been well?"
no subject
no subject
Even if Cinna could go home, he isn't sure he would want to go there and stay. Although, he knows that that isn't the same for everyone. Not everyone's home is so deplorable.
He smiles when she says she likes her designs. The top she's holding is a ribbed corset like top, made of shimmering material and embellished with iridescent beading that changes colors depending on how the light hits it. He gestures to a dressing room. "Would you like to try it on? I could fit it to your frame so that it feels like a second skin."
no subject
She does love the top, though.
"Where'd you find the fabric?" She's been to a lot of places, but she's never seen and felt something quite like it.
no subject
The fabric is another story. "This particular fabric is from Panem, my home. But much of the fabric here is also hotel supplied as this is officially a hotel funded business. I've also traveled to Paris to get some of the fabric. It's amazing what you can find through some of the doors here."
He slips his fingertips over the fabric of the top. It shimmers in different hues with the change of light. "May I ask where you are employed in the hotel?" Perhaps she'd like to work here.
no subject
no subject
However, since she does have a source of income, he sets the offer of working here on the back-burner for now. He doesn't want to infringe on her time either. Income does, however, mean that there's a way to pay for clothing.
Cinna nods slowly. "I understand. Perhaps we could set up a payment schedule or work in trade. If you come across unique fabrics, perhaps I could trade some of my work for them."
no subject
no subject
Cinna knows the power of fashion in the necessity of survival, in the vein of spurring on a revolution.
"I'll file the paper work and you will receive payment for working here. I'll be glad to have you on if you think you can handle my eccentricities."
no subject
no subject
He offers her another kind smile. "I suppose that's the worst of it. Do you think we can still work together?" He does hope so. It will be nice to have some company.
no subject
no subject
no subject
no subject
no subject
no subject
He gestures to the shop. "You are free to man the shop then. And of course you're free to use any of the materials and supplies in the back room to design and create your own ideas."
no subject
no subject
And she knows that Cinna makes good clothes. So, she walks into the shop already smiling just a bit. Her own dress is elaborate and lovely, taken from Paris of her day, full of satin and stays and covering her from wrist to foot, but showing off her cleavage to its best angle.
When she sees Cinna, she stops. It feels like it has been years, even if she remembers what he did for her. For her, it has been years. Does he remember her?
no subject
He's just putting a fresh pot of tea on when he sees her nearing. Cinna turns toward her and offers her a soft smile. He dips his head in respectful greeting. "Milady deWinter. Such a pleasure to see you again. I trust you are well?"
A handful of seconds last before he tears his eyes away from hers and has to appreciate her dress. It's a compulsion, especially in regard to something so lovely as this. "You look beautiful, Milady. Is this from your home?" Without touching, he admires the dress, shifting this way and that to study all the stitching and ties.
no subject
"It is from Paris," she tells him. "In fact ... " She turns to meet his eyes - how can his eyes be so kind? She is unused to that, even more so than she had been the years ago when they met. "This is your shop? If it is, I do hope to utilize your expertise."
no subject
He's pleased that she allows him his admiration and his curiosity. He steps in to gently touch and admire the fabric, the lines, the hems and the stitching. Eventually though, he does make himself step back to allow her her space.
As he looks into her eyes, he does take note that there is something different about her. He can't quite place what it is. Perhaps it is that she is even more guarded than before. Cinna hopes she can see that she need not be so where he is concerned.
"It is." He nods. "I'm so pleased to have you here. Designing for you is one of my favorite things about the hotel. I'm glad to know someone who appreciates fashion as you do."
no subject
None of that matters in this very moment, however. In this moment, she will take advantage of Cinna's expertise and his willingness to do this for her. He says that this is one of his favorite things and she smiles, pleased. "Your work is excellent, Cinna. Just tell me what you need me to do, so that I may have your impeccable designs again."
no subject
People underestimate fashion. Cinna and Milady do not. Fashion is powerful. Fashion is power.
He already has her measurements on file, so he doesn't need to remeasure, at least not from what he can tell. And Cinna is usually a very good judge on guessing a person's measurements.
"Are you looking for something for a special occasion, Milady, or something for every day wear?" He knows that his and Milady's everyday wear is not the same as most anyone else's.
no subject
"I would like more like this but in finer fabrics," she tells him, spreading out her skirts. "I am to be a woman of status in Paris," she adds with steel in his voice. She will hold Athos to his word on that. More silk, brocades, lace.
"Perhaps here," she says, though, "for when I am here, something more ... modern?"
What that is, she isn't sure. She only sees the trousers on the woman and do not like that idea at all, frankly.
no subject
"But I have some beautiful fabrics here, silks and satins. I have some that shimmer and change color in certain lights." He loves talking about this kind of thing. He could, in truth, go on and on about the things he's capable of, clothes that transform, things beyond Milady's wildest dreams, things he could only do because he used his imagination to harness some of Panem's technology for fashion.
But then she speaks about something more modern, his eyes light up with ideas. "Some sundresses, perhaps. Sleek lines and sharp corners. Milady, have you ever thought to wear pants? I could see you in a streamlined suit and beautiful heels."
no subject
She takes a moment, then lifts and lowers a shoulder, "If you think you can make something nice enough, I shall try it, though I may decline. What is a 'sundress'?"
no subject
He looks around his shop and finds a certain area, rifling through clothes until he comes up with a dress, bringing it over to her. "Something like this. Daring but still tasteful. What do you think?"
no subject
But times being what they are, she gazes at him. "May I try this one now?"
no subject
Knowing what he knows of Milady so far, maybe he shouldn't be surprised at all. She is someone different, someone who is seemingly unafraid.
"There's a dressing room right there." He offers her the dress. "Go ahead and I'll find some shoes to go with it."
no subject
Without surprise either, it takes her a good deal of time with help from Cinna, to get out of her dress, too. (She assumes he finds her appealing, yet he can sense that he is not one of the men who wants her sexually. It's nice, actually.
Then she gets herself into this "sundress" over her corset and knickers, though the knickers have to go as the dress is shorter than the knickers!
Cinna is needed again to help her "zip" the dress.
Then she can look at herself in the mirror turning this way and that.
Well. This is quite something, isn't it. There are her legs, shapely and pale, and her arms, also pale and rounded as is the fashion of her time (unlike the muscle and unhealthy thinness of those in the hotel). She turns a slow circle and turns to Cinna - what does he think?
no subject
When the dress is zipped up, Cinna leaves for a moment and returns with some sheer white stockings, much thinner and more durable than what Milady is accustomed to. And a pair of heels.
She's looking at herself in the mirror and Cinna thinks she looks lovely. He's sure that shows on his features as he sets the stockings aside and kneels before her to gently touch one ankle to lift one foot and slide a heel on, then the other. The heels make her legs even more shapely.
Cinna stands back behind her a bit and looks at her reflection. "Absolutely lovely. How do you feel?"
no subject
The front section wasn't all that appealing to Angelica, since she came from a time where people dressed with a little more formality. In her neat schoolgirl skirt and blouse, she examined the casual clothing with only casual interest, because it was new. But then she caught sight of one of the elaborate gowns and her eyes widened and she moved forward as if drawn by a string.
She'd seen its like in a museum, and she'd seen similarly elaborate dressing gowns when she visited Chrestomanci castle, but never anything that -- was she tall enough, old enough? Of course she couldn't afford something like that, but maybe she could try it on?
no subject
When he sees the new face enter the shop, he allows her some time to look on her own. You can tell a lot about a person by what fashion they gravitate toward. Only when she's lingering in one place for some time does he set his things aside and go to find her. She's by one of the elegant gowns he's fashioned. Cinna loves that piece for the amount of work he put into it, the amount of care he put into each stitch, each embellishment. Cinna pours his heart into his work.
"It's beautiful isn't it?" He says, hands held together behind his back. Today Cinna is in a pair of slacks, dress shirt and fitted vest. His eyes are lined with gold. His nails painted black and gold. "I don't think we've met. I'm Cinna." He nods his head in a respectful greeting.
no subject
"It's the most beautiful thing I've ever seen," she said, with all the sincerity that was in her. Her cheeks turned red as she said it, the contrast between the image in her mind -- Angelica in a gown like this one, at home with such elegance -- and the everyday reality of introductions seeming harsh and difficult to bridge.
"I'm, umm, Angelica," she said, looking down in confusion.
no subject
Cinna reaches one elegant hand out to run slender fingers over the fabric. He pulls up some of the skirt where intricate bead work is artfully placed in swirling designs. "See how it glimmers in the light? The beads change color depending on how the light hits them."
It's obvious that he loves his work. He takes pride in it. He also takes pride in finding the perfect human match for his work. This dress is calling out to Angelica in every way. "Would you like to try it on, Angelica?"
no subject
When he asked about trying it on, it was like he had read her mind. Angelica's flush deepened with the thought that she was so obvious, but she wasn't about to pass up the offer.
She raised her chin, and finally met Cinna's eyes. What she saw there made her smile in a way that showed a flash of genuine pleasure beyond the self-consciousness. "There's nothing in the world I'd like more," she said with total frankness. "Any world."
no subject
"We can absolutely make that happen. In fact, I insist." He pulls it off the display, untying ribbon laces that hold the upper torso corset tight. He gathers up the fabric in both arms.
"Dressing rooms are over here. Once you get the dress on, come out here to the mirrors and I'll help tighten the laces for you." After laying the dress on a bench in one of the dressing rooms, he turns to smile excitedly at her. "I can't wait to see it on you."
no subject
Alone with the gown, Angelica took a moment to hold it up against her body, savoring the anticipation of wearing it. Then she took a moment to examine it more closely for just how the fastenings worked and how it was meant to be worn and how to get into it. She'd never worn anything like this; she didn't want to get it wrong.
When she emerged from the dressing room, the laces were still loose and the gown was just a little long on her, but her eyes were bright and she stepped into the light with a little extra flare calculated to make the beads shine. She'd tried that out -- just once -- in front of the mirror. But as she stepped forward, her eyes abandoned the mirrors and sought out Cinna, full of hope.
no subject
"Absolutely lovely. I can tell that you feel lovely as well." It's in her smile, in her eyes, in the way she's carrying herself. A perfect match.
Cinna is buzzing, in his element in every way as he leads her over to an elevated pedestal for her to stand on. He gets behind her and weaves the ribbon into her hair before pinning bits of it up to accentuate her neckline and the low cut neckline of the dress as well. It only serves to add an air of elegance to the moment.
Angelica is reflected in a semicircle of mirrors so she can see herself. "This is making my entire week, Angelica. I hope that you'll indulge my creativity for just a few more moments if you aren't in a hurry."
no subject
And would it be such a bad thing, she thought defiantly. She'd started off looking for home, and she'd found this instead.
She reached up to touch the ribbon in her hair, didn't quite dare examine the neckline, except to think that it must be just as it should, because she was certain that Cinna wouldn't steer her wrong. Cinna would know what was right for his gown.
"I'm not in a hurry at all," she said softly. And purely in the spirit of curiosity: "What are you going to make of me?"
no subject
"Oh Angelica, there is little to make of it as this is you in every way." He says.
When she says she's not in a hurry, Cinna hurries away to get a small box and return. He gets up on the circular pedestal with her and asks her to close her eyes here, open them there, adjust her lips just so. When he's done, her eyes are lined with dark kol to make them pop. The corners of her eyes and some underneath are outlined with tiny golden gems.
Last, but not least, he moves behind her to clasp a chandelier necklace, beads interconnected and entwined with one another cascading from her neck with barely visible wire so that it looks like the beads just float against her skin.
He steps back to eye her appreciatively and smiles. "Now. What do you think?"